Crazy old Trot! (with thanks to Monty Python)

Jeremy: I wanted to be… a Crazy Old Trot!

Leaping from sect to sect, as they float through the mighty rivers of the British Labour Party… The Giant International Socialist. The SDP. The Far Right! The mighty SNP! The lofty flowering Communists! The plucky little SWP! The limping soft Tory of Aldershot! The Maidenhead Weeping Wets! The flatulent Blairite of Sedgefield! The Quercus Maximus Millibandus Edwardus!

With my best buddy by my side, we’d sing! Sing! Sing!

[singing]
I’m a Crazy Trot, and I’m okay.
I sleep all night and I plot all day.

BLAIRITES:
He’s a Crazy Trot, and he’s okay.
He sleeps all night and he plots all day.

JEREMY:
I cut down Tories. I eat my lunch.
I go to the lavatory.
On Wednesdays I go shoppin’
And have buttered scones for tea.

BLAIRITES:
He cuts down Tories. He eats his lunch.
He goes to the lavatory.
On Wednesdays he goes shopping
And has buttered scones for tea.
He’s a crazy Trot, and he’s okay.
He sleeps all night and he plots all day.

JEREMY:
I cut down Tories. I skip and jump.
I like to press wild flowers.
I put on women’s clothing
And hang around in bars.

BLAIRITES:
He cuts down Tories. He skips and jumps.
He likes to press wild flowers.
He puts on women’s clothing
And hangs around in bars?!
He’s a lumberjack, and he’s okay.
He sleeps all night and he plots all day.

JEREMY:
I cut down Tories. I wear high heels,
Suspendies, and a bra.
I wish I’d been a girlie,
Just like my dear Papa.

MOUNTIES:
He cuts down trees. He wears high heels,
Suspendies, and a bra
He wishes he’d been a girlie
Just like his dear papa.

[singing]
He’s a crazy old Trot, and he’s okay.
He sleeps all night and he plots all day.
He’s a Crazy Old Trot, and he’s okaaaaay.
He sleeps all night and he plots all day.

Poetry on the Hoof: It Ain’t Over ’till It’s Over.

It ain’t over till it’s over,
It ain’t done till it’s done,
The fat lady ain’t singing yet,
She’s sat inside her tent.

It ain’t over till it’s over
It ain’t done till it’s done,
The carnival ain’t started,
The clown’s not yet farted.

It ain’t over till it’s over,
It ain’t done till it’s done,
This corpse ain’t stopped twitching yet,
Put the funeral back on hold!

So save your tears, save your whoops,
Stop living in the future,
Stop living in the past,
It’s the here and now that matters
And tomorrow’s a world away.
There’s nothing to take for granted,
Nothing to assume,
You can plan and scheme all you like
But.

It ain’t over till it’s over,
It ain’t done till it’s done,
The fat lady ain’t singing yet:
She’s still sat inside her tent.

Give us This Day: a Toast to Resistance

No No No No No No No.
No No No No No No No.
No No No No No No No.
No No No No No No No.

No No No No No No No.
No No No No No No No.
No No No No No No No.
No No No No No No No.

No No No No No No No.
No No No No No No No.
No No No No No No No.
No No No No No No No.

No No No No No No No.
No No No No No No No.
No No No No No No No.
No No No No No No O..

K, go on then.

My Lords, Ladies, Gentlemen and Members of the Jury, please raise a toast to Resistance.

Give Us This Day Our Daily Toast: read all about toasting here

 

Poetry on the Hoof: Feeding frenzy (How Schools Devour Each Other)

The feeder primary school feeds
the secondary school which feeds
the universities or the workforce.

The feeder primary school is fed by nursery schools
who, in turn, are fed by child minders, nannies or parents and finally
the cradle or the grave.

Such is the feeding chain:
Each school is fed by or feeds another.
Each school is but a source, or consumer, of food, of pupils.

The feeding frenzy of schools upon other schools and upon each other
is the ecology of winners and losers,
victors and collateral damage.

Whilst no-one wants to be fed upon,
we’re happy to muscle into the feeding trough:
slake our appetite on lesser mortals.

Eurovision Song Contests: hey, musicians, your EU needs You!

Controversy about Englebert Humperdinck representing the U’nul-point’K and a gang of Russian grandmothers representing Roman Abramovich at the 2012 Eurovision summit in Baku has led to the resurrection of a song which narrowly failed to qualify for selection as the EU official’s entry to the competition back in 1995 when the Euro was unleashed on the world of Irish farmers, British shop-keepers and Bulgarian flea market owners.

Instead of asking nation states to generate nation-state-of-the-art-pop songs, the EU has decided its about time it waved its own flag and get some one in who can do some aural flag waving on their behalves.

The song – Ich bin ein Berliner and du bist ein dummkopf – was written by Brussels burocrats on a night out in Sunderland, picked by Georgio Morodor, given an electronic make over and played to the turbo-folk hoardes across the Balkans through the late ’90s and early ’00s.

The concept that the EU itself should be represented at Eurovision is being hotly contested by the UK government and UKIP as it’s being seen as a surreptitious attempt to ingratiate the British public into the benefits of the Euro: and their resistence ensured that the song was never released on the Great European Public.

But nevertheless, you can’t keep a good man down (as Hotlegs once mumbled on the B side of Neanderthal Man) and the song is attracting a lot of interest on social media.

Well, the lyric maybe: the Brussels burocrats have been politely snubbed by Morodor and they are now looking for a suitable composer and musical arranger to bring their collective efforts to an eager, new young Eurovision audience.

For those aspiring composers and arrangers amongst you, keen to gather fame, fortune and eventual ignominy through the joy that is Eurovision, here are the lyrics in all their unedited glory:

In a restaurant, the elderly memories
one German, one Brit, one Rumanian, 
two Turks, two Hungarians and a Dutchman, 
swapped over cheese, wurst and red wine.
Our gestures give us away; 
the sweep of the hand from the plate to the waitress, 
the cough, the handshake, the awkwardness.
Signifying troubling difference.

but the younger ones laugh
as if nothing were amiss.
This is about them, here and now, 
putting our history behind them.
They ignore the coughs and embarrassments of their elders
adopting the easy going nature of a young Hungarian lad
laughing with a Romanian girl 
with no more to it than that.

And what binds us? The young to the old?
A spirit of peace, democracy and don’t forget the economy.
Its all about the economy, stupide.
You are the next generation of refuge workers
who will do shite jobs for the lousiest of pay
and then not unreasonably
apply for a national, legal identity.
Wir Sind  Berliner aber Sie Sind dummkoepfe.

Nudeln, rosti, pommels frites, pasta,
The European carbohydrates
Differ only in their shape and texture.
Deep down, the Bucharest lady
Secretly harbours the Irish waffle;
The ancient Bulgarian
Longs for tender mung beans,
Yet the Brits all gather around chicken tandoori.

Come in, Graham Norton: your time is up!

Poetry on the Hoof: Terraced? Semi? Detached? Year 7 plan their future homes.

You gotta decide the lighting,
It’s November, remember.
You gotta agree,
Sort it out reasonably.
You gotta think it out,
You’ve gotta act quick.
Silence hush descends.

You’ll need pools of light
You’ll need water, air, space.
Somewhere to park the car
When the days close in.
Can I get a red phone box?
Can I get an allotment?
Silence hush descends.

You’re gonna see nothing
With windows like that.
You’re gonna be a resident, remember.
You’re gonna freeze to death
With walls like that.
Are we gonna pretend?
That we have to pay mortgages an’ ‘owt?
Silence hush descends.

You gotta make a choice,
Or you’re gonna get stuck.
Best to say little,
If you’re not sure.
If you don’t wanna pay for ‘owt can we live in a toilet?
We could use our imagination.
Silence hush descends.

Everyone’s gotta live somewhere
Everyone’s gotta have a place
They can call their own.
But if you’re gonna want a family.
But if you’re gonna get you a mortgage,
You gotta be quick,
You gotta be sharp,
You gotta get rid of those ghosts that moved onto your land.
Silence hush descends.

Some responses by then young people of Kingstone School, Barnsley to recent exhortations to a ‘Housing Revolution’. Readers may be interested to know about similar revolutions being plotted in education.

The rhetoric of crisis is also echoed in housing and education too here.

Poetry on the Hoof: Triangulated Data (v1.0)

Did he? Did she?
Does She?

Will he? Will she?
Would (will) She?

Did they? Would they? (if they did…)
Would She? (have…)

Maybe they did? Maybe they didn’t? (perhaps they couldn’t?)
Maybe She would maybe She wouldn’t (perhaps She couldn’t?)
But perhaps they did, perhaps they could have,
Perhaps She might, perhaps She would have,
Perhaps She dared where they feared
To tread
And perhaps they couldn’t.
When She would and could have
And perhaps they all just might have
Conspired, together, in cahoots
A perfect triangle
A seamless bubble
A little bit of surreptitiousness in the undergrowth.
Perhaps (they did) perhaps…

Poetry on the Serbian Hoof

Some great stories and poems from young Serbian creatives here:

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Poetry on the Hoof: I am not a mere Biochemist

I am not a mere biochemist
I am a DNA replicator
Intent on duplicating  my Genome
Through Vivisection and Genetic trials on Mitochondrial Enzymes.
My Phage like protein coat mutates
and my skin steams with Sulphuric acid.

A poem on the hoof: thanks to Cliff Yates