PASCO: animating communities through the creative industries (future possibilities)

 The PASCO (Performing Arts Scene in Obrenovac) project has had significant effects on the cultural infrastructure in the Obrenovac municipality since the project started in 2009. Due to generous support both locally, Buskerud County in Norway and the KS funding programme of the Norwegian government, PASCO has had demonstrable economic, cultural and social impact on the region. The Aspire Trust, together with its Serbian and Norwegian partners had a critical role to play and this post discusses what could be provided in the short term in order to maintain the project momentum and continue to build cultural capacity.

There are three important processes we believe could be undertaken to embed the work of PASCO in Obrenovac and further afield:

* Accrediting practitioners as qualified community artists – a process which will give them credibility and visibility nationally and internationally;

* The provision of professional development programmes (both accredited and unaccredited) for teachers who are looking to develop their own skills in the field;

* The development of enterprise and small business start up skills in the region, particularly focused on the development of the cultural sector and creative industries.

Details of these proposals are as follows.

Accredited Courses: Foundation Degree in Community Arts (FDCA)

The FDCA places a significant emphasis on developing collaborative skills in interdisciplinary arts practice through drawing on, extending and focusing professional arts skills and applying them in a range of community contexts.

Designed by Aspire and accredited by the University of Chester in the UK, the course provides the knowledge, understanding and work-related skills required to play active and proactive roles in the community arts industry. Students reflect on their work and develop the interpersonal and intrapersonal skills required to work as arts practitioners and team members.

Modules are offered at either Level 4 within the UK Higher Education Qualification framework and can be offered at two levels (Level A for beginners Level B for those with more experience.)

Module titles at Level 4A include:

Workshop Skills                  Workshops form the foundation of all community arts practice. Gaining an understanding of the different approaches to running workshops, the theories that underpin the workshop process and how they can be applied in different contexts is essential to the work of the community artist.

Creative Process                  Successful community arts projects rely on a finding a concept which can be developed and realised through the integration of a number of art forms. At the core of this process is a creativity that permeates the progress of the project enabling a variety of practitioners and participants to make their contributions.

Research Skills                                    Gaining as detailed a picture of the landscape and environment as possible, both past and present, will provide a firm foundation for community arts projects. Developing and interest in finding out and the skills with which to do it form a significant part of the community arts process.

Project Development                  Like any other activity community arts projects require good management and administration. Clearly defined aims and objectives need to be planned, budgets and timetables identified and information communicated to all those involved in the safe delivery of a programme.

Module titles at Level 4B include:

Workshop Leader                  Practical experience of running workshops for as many different kinds of groups and in as many different situations as possible is the best way to learn how to become a workshop leader. Starting with the aims and objectives of community groups, working to a plan, improvising if circumstances arise, being able to recognise and correct errors are all part of the process.

The Creative Practitioner                  The work of the creative practitioner in the community is to respond to the aims and objectives of that community. Responses could be based on a single art form, but community arts projects that are based on a combination of art forms have more chance of attracting a range of people to participate, and therefore have a greater likelihood of being inclusive.

The Researcher                   Community Arts work is being practiced by individuals and organisations locally, regionally and nationally. A starting point for both finding employment and creating work has to be a sound knowledge and understanding of what work has happened recently and is happening at the moment.

Further details are available upon request.

The MPPACT Programme: Methodology for Pupil and Performing Arts Centred Teaching 

The involvement of teachers from Obrenovac in PASCO has been another essential element in the project’s success: we would suggest that should other municipalities develop their own PASCO type programme, that accredited CPD programmes for teachers could be established early on in the process.

Aspire  together with a number of other European partners have designed and delivered  the MPPACT project: the Methodology for Pupil and Performing Arts Centred Teaching  Project.   MPPACT was designed and developed by a range of experienced educational partners from around Europe and co-ordinated in the UK by the University of Winchester.  Other project partners were: VIA University College, Viborg, Denmark:  the European Performers House, Silkeborg, Denmark; the Hellenic Theatre / Drama & Education Network, Athens, Greece; the Directorate Of Secondary Education Of Eastern Attica, Greece; the University Of Peloponnese, Greece and  the University of Cyprus.

The purpose of the programme is to foster new teaching practices that engages with contemporary social realities and their reflection in the classroom, and recognises a new broader role for the teacher as pedagogue and works from pupils own creativity, imaginations and criticality.

It does this through the application of arts based disciplines which can develop new means of learning for children and adults, can provide new forms of knowledge and can be instrumental in catalysing personal and social transformation. The emphasis of the programme is on the creativity, imagination, resourcefulness and inspiration that teachers bring to their classrooms and how this can be enhanced, developed and celebrated.

MPPACT’s objectives are:

1. To evolve an integrated arts-based approach to teaching through the sharing of disciplines;

2. To foster educators abilities to revive pupil’s motivation to learn, using participatory performing arts practices and exploring young people’s own creativity and criticality;

3. To develop new practices that foster a ‘co-intentional’ synergy between pupil and teacher;

4. To develop a training course offering an alternative classroom strategy for achieving a critical understanding of relevant social issues;

5. To support and document the process and publish its outputs through web, DVD and printed media.

Further details are available upon request.

Informal Courses

We recognise that full time or long programmes may not be suitable for some artists or teachers so would also recommend providing short, focussed interventions for practitioners as follows:

The Creative Entrepreneur:                  A week long course will provide participants with the skills to become a provider of websites, photographic services, corporate and community video, and graphic design. It will provide the learner with the essential skills they need to successfully create websites for online businesses and develop their abilities as an all round producer of media. During the project, participants will create their own online portfolio for their own website which they can then use to promote themselves and their services. The course consists of the following modules: WordPress and e-commerce; Photoshop Essentials for Graphic Design; Making promotional videos; Photography: product, portraits, websites; Creative Writing.

 Visual Artists in Early Years:                   a 2 day programme which introduces Early Years practitioners to working with visual arts skills in order to develop creative practice of both practitioners and very young children between 3 and 5 years old.

 Rhythm and Things:                   a 2 day programme of training and skills development in singing, musical composition and percussion for Early  Years practitioners; and a parallel 2 day programme of skills and knowledge development for  musicians who wish to work in the Early Years sector, taught by Early Years practitioners.

 Creative Writing in Schools:                   a 4 day programme which develops teacher’s creative writing skills in order for them to develop their own pupils writing abilities.

 Film in a Day:                    a day long programme which introduces learners to the skills of film-making, both in front of and behind the camera.  Each learner ends up with their own copy of their own film at the end of the day!

Cultural Leadership and Enterprise Programme (CLEP)

CLEP would aim to provide knowledge, skills and expertise to new business developers who are working in the field of culture and the creative industries in Obrenovac and the surrounding municipalities in the fields of creative  and cultural leadership and enterprise.

CLEP would provide leaders in the fields of creative industries and culture a programme of activity which will contribute to developing a sustainable cultural and creative sector in the region.  This will include the fields of film, media, theatre, dance, music, visual arts, web design, graphic design etc.

CLEP will be structured around the following programme:

Business Start-Up Weekends – for those who are interested in starting up their businesses but have yet to take the first step

Entrepreneurship Bootcamps – for entrepreneurs who need additional focused advice and guidance on specific entrepreneurial issues

Enterprise Learning Programs – a suite of activities which provide specific skills to business developers who are interested in specific areas of expertise e.g. fund raising, Intellectual property, project management etc

Enterprise Clubs – social events in which members of the PEP network are able to share experiences, expertise, advice and contacts

Mentoring – Building A mentoring Network – for all leaders who want to learn at their own rate and in their own time, e.g. through on-line mentoring services

Sectoral Start-Up – workshops which focus on specific sectors e.g. film, graphic design, theatre

Business Networking & Other Events – opportunities to meet other business leaders from other sectors and other countries to share knowledge, contacts and expertise.

Future posts suggest long term strategies and possibilities.

Answering the questions of your 10 year old self: 500+ Reasons to be Cheerful at All Our Futures, Rio De Janeiro, October 2013

Reasons 53 –  83: Answering the questions of your 10 year old self

We go back to school and invariably revisit our youth and think why do we do what we do?  What would we do differently?  And what would we say to ourselves if we met ourselves in the playground?

If we’re working in education, we have the added questions of what does this practice tell us, are there ideas or approaches I can adapt? What would happen if?  What might happen if not?  We might alter our practice and question our stance – quite subtly though, and not necessarily in a way which would merit the attention of head teachers, inspectors or distant academics – but which might be noticed by the young lad sat in front of you, day on day, week on week.  He might notice a slight change of emphasis in your tone; the girl next to him may notice a slight momentary doubt creep into your voice when asserting something you think you have known true for years.  She will spot your Galileo moment when all that was constant is no longer so and the certainties you had before, are no longer quite as certain.

These are all useful, productive forms of educational transformation. Frequently off the authorities’ radar, their effects bring about life changing moments for your students, about which neither you nor them will know anything of for at least 30 years.

And what would you say to yourself if you met yourself in the playground 30 years ago? “Don’t worry.”  Would be a good start; although you may not listen to yourself.

More here on how you can bring about major educational transformation in the microscopic of ways here: http://www.aspirecreativeenterprises.com/ACE/aof_rio.html

More on our travel partners here: http://www.govie.co.uk/events/

Radical Sport, Communities and Education: 500+ Reasons to be Cheerful at All Our Futures, Rio De Janeiro, October 2013

Reasons 5 – 10: radical sports, radical communities, radical education

An inspiring visit today to meet Bernard Rangel at the Complexo Esportivo da Rocinha, located next to its neighbouring favela of Rocinha. Home of swimming, radical sports, futsal (a football style which is one reason Brazil is the best in the world) and judo, the complex draws its communities across the neighbouring Oscar Niemeyer bridge out of the favela to improve their sporting prowess, their health and and community. The kids can also get their teeth improved into the bargain through the mobile dental unit. More at http://sbrrocinharadical.blogspot.com.br/

The walk across the bridge into the favela leads to a chance meeting with DJ Zezinho, a local DJ who runs Rocinha Media School and DJ workshops for local kids – all using CDs and memory sticks as vinyl out here is way too expensive. So if you have any old 12” vinyl that could do with another outing on the turntables of Rocinha, please get in touch with him at: http://www.favelatour.org (he also organises tours of the favela too).

We’re talking with Bernard and his colleagues about presenting at All Our Futures and organising a visit to him and the favela for delegates who want to learn more about the ongoing Olympic support of community and radical sports in the city. More at http://faveladarocinha.com/site/

And finally: a completely new take (to me at least) on gyms, health and fitness for office workers: Laboral Gym. More at http://laboralgymindustries.blogspot.com.br/
The mind and body boggles.

More here too: http://www.aspirecreativeenterprises.com/ACE/aof_rio.html

More on our travel partners here: http://www.govie.co.uk/events/

Finding Your Dancing Hips: 500+ Reasons to be Cheerful at All Our Futures, Rio De Janeiro, October 2013

All Our Futures, Rio is our next international conference for educators set in this iconic Brazilian city. This week involves visits to schools, educational and cultural partners – and some potentially awesome guests – who will be contributing to the event in October.

Reasons 1 – 4: Finding Your Dancing Hips

I started the week in the spirit which I hope will encapsulate the whole programme – a visit to the Rio Scenarium, a four floor emporium of bars, classic antiques, music and dancing opportunities for anyone and everyone. Couples of all ages swung, grooved, shook their stuff and mamba-ed and samba-ed and bossa-ed the night away. Its an old cliché to say that Brazilians have rhythm coursing their veins, but tonight saw hundreds of night-outers dance their way along the streets, in and out of the bars and along to the early morning. So if you can make it to our October conference – remember to bring your dancing hips. (I left mine at home, sorry to say – but that’s white English men of a certain age for you.)

Ana Chapman Fromm, our travel partner from VIE Educational Travel is spending the week introducing us to colleagues, family and friends who will no doubt make a great contribution to the programme. More reasons to follow!

More here too: http://www.aspirecreativeenterprises.com/ACE/aof_rio.html

More on our travel partners here: http://www.govie.co.uk/events/

Calling teachers interested in educational and cultural exchange in Brazil

Over the last two years, Aspire has organised international conferences for Principals and Head teachers from Bulgaria, India, Nigeria and the UAE to visit UK schools. We have also produced student exchange programmes for students from Nigeria, Serbia and Macedonia.

These events have been very powerful in establishing links between UK and overseas schools, developing educational exchanges, facilitating visits between partner schools and offering unique insights into our mutual educational cultures.

This year we are planning a similar conference in Brazil in conjunction with schools and universities there. To set up those programmes, I have been invited to visit schools in Rio de Janeiro between 20 and 28 May to participate in a trade and culture mission with schools, the University, teachers and other colleagues. More information is available at http://www.aspirecreativeenterprises.com/ACE/aof_rio.html

If you would like your school to benefit from my visit – e.g. by making links with schools, connections with head teachers and pupils, curriculum developments, CPD opportunities or other possibilities – then please get in touch to discuss how I could facilitate connections and exchanges between those schools and your own. I can be contacted at nick@aspire-trust.org.

Aspire up the Amazon: calling teachers interested in outdoor education in the Amazon and French Guyana

Over the last few years, Aspire has been involved in adult learning programmes which have focused on outdoor and forest education. These programmes have been very powerful in establishing links between UK and overseas schools, developing educational exchanges and facilitating visits by UK based artists to partners across Europe.

I will be visiting French Guyana in February to participate in the outdoor education programme, Environmental Education On : Amazonia In French Guiana, run by ICOFOR, the French Guyana based training organisation, Intermédiaire de Commerce et Formateur. The aims of the training programme are to:

* help the development of innovative practices in the adult education and their transfer between participanting countries;
* gain knowledge about Amazonia;
* learn methods for teaching different subjects “out of the classroom”;
* encourage international exchanges as well as future co-operation between participants.

On the north-­east coast of South America, between Surinam and Brazil, French Guyana is a fascinating and wild country: a green paradise par excellence. It is almost entirely covered by thick Amazonian forest and criss-­crossed by wide rivers. Almost half of its eight million hectares of French Amazonian are a protected environment, 90% covered by forest.

If you would like your school to benefit from my visit – e.g. by making links with schools, connections with head teachers and pupils, curriculum developments, CPD opportunities or other possibilities – then please get in touch to discuss how I could facilitate connections and exchanges between those schools and your own. I can be contacted at nick@aspire-trust.org.

All Our Futures: International Educational Study Visit to Liverpool in partnership with the British Council Bulgaria and Aspire-India

All Our Futures is Aspire’s annual conference for international head teachers took place in Liverpool between 11 and 14 June 2013. The event aimed to introduce pedagogical practices which are being applied at various levels in English schools by providing participants with exclusive, intense immersive experiences in schools and do generate unique, high quality insights into teaching and learning.

All Our Futures was produced in partnership with both the British Council, Bulgaria and our sister company, Aspire-India based in Bhubaneswar, Orisha: and so have welcomed Head teachers from the Indian subcontinent and introduced them to our schools in Liverpool, Wirral and Knowsley.

Further details of our programme in March with Bulgarian Head teachers and the British Council, Bulgaria are here:

http://www.facebook.com/media/set/?set=a.10151543038237812.1073741827.657337811&type=1

More on the June conference as it happened here:

https://www.facebook.com/nick.owen.3781/media_set?set=a.10151732950132028.1073741829.686222027&type=3

and here:

All Our Futures: International Educational Study Visit to Liverpool in partnership with the British Council Bulgaria

All Our Futures is Aspire’s annual conference for international head teachers which will take place in Liverpool between 4 and 8 March 2013. The event aims to introduce pedagogical practices which are being applied at various levels in English schools by providing participants with exclusive, intense immersive experiences in schools and do generate unique, high quality insights into teaching and learning.

We are delighted to announce that this year, All Our Futures is being produced in partnership with the British Council in Bulgaria: so we will be particularly looking forward to meeting Head teachers from Bulgaria and the wider Balkan region and introducing them to our schools in Liverpool.

Further details are here:

http://www.aspire-trust.org/all-our-futures-2013-2/

and photos of the visit here:

http://www.facebook.com/media/set/?set=a.10151543038237812.1073741827.657337811&type=1

So you wanna be a partner? Presentation to the Creative Connections in the Early Years Tasmania teams

Urban regeneration partnership initiatives – in which public, private and the voluntary sector collaborate in order to bring about the management of public services within neighbourhoods – have been a feature of the UK’s political landscape since the Thatcher government of the 1980s.

In 1999, the National Advisory Committee on Creative and Cultural Education (NACCCE) were commissioned jointly by the British government departments of culture (the DCMS) and education (the DfEE) to review  the place of the arts and creativity in the curriculum.

They went on to publish  All Our Futures: Creativity, Culture and Education in 1999 which in turn led to the launch of the Creative Partnerships (CP) initiative: a programme of creativity and cultural education in 16 areas across England in 2001. Their aims were to provide school children with the opportunity to develop creativity in learning and to take part in cultural activities of the highest quality….  and provide ‘a powerful, focused, high profile and inspirational tool for change, genuinely capturing the imagination of children, parents and carers, teachers and communities.

Whilst CP came to an end earlier this year, its ethos of partnership working has been extended across many public sector organisations who have developed many different kinds of cultural initiatives from music education to cultural leadership to creative learning.  Increasingly, these public sector organisations have identified themselves not only as funders but as partners too.

The impact of new forms of cultural partnership on the Early Years settings

This presentation will critically review within an Early Years context what this new form of cultural partnership has entailed and how it is played out in the classroom, the school, between organsiations and at a macro, policy level too.  It ask questions such as:

• What is meant by partnership – by whom, when and in what context?
• How is partnership is manifested at operational and strategic levels?
• What might be principles of cultural partnership?
• How have these principles been implemented in the Early Years classroom?
• What factors prevent the development of a healthy cultural partnership?

Case studies involving the engagement of artists in early years contexts; cross-organisational planning and delivery; and how national policy impacts on practitioners at a local level will be discussed.

Learnings from on-line dating sites and lonely hearts club adverts will also be taken into account!

Download the presentation here:

http://db.tt/sFJrxJGC