So, we get it that a lack of arts infrastructure means no audiences in theatres, library closure and artists consigned to talk to themselves for ever and a day, trapped in the basement of their own imaginations: but what type of arts infrastructure is it that we need?
The ‘just in time’ type exemplified in Wallace and Gromit’s train chase in The Wrong Trousers where Gromit has nano-seconds to lay down the track in front of him?
Or a 50 year plan which is built on the Big Data of today? But which might fall apart after the next election when experts are finally shown the door by No. 10 Downing Street and we’re left with the ‘I know what I like and I like what I know’ approach to building the nation’s cultural railways?
Whatever it turns out to be, we can be pretty sure that doing more of the same isn’t going to address the inequalities which are rife in the arts. Perhaps it’s not so much of needing Gromit to build our infrastructure, but the equivalent of a hyper loop travel system which can connect young people to artists to platforms and venues and audiences directly, immediately and without any of the paraphernalia that chasing a penguin with a colander on your head entails.